Long Walk Brings Writing Epiphany

Today, for the first time in weeks, I took a walk.

A long walk.

I put on my coat and my Boston Red Sox cap, and I walked a qui­et road north of where I live. I passed a pheas­ant farm, which, if you don’t know Mill­brook, prob­a­bly sounds ridicu­lous. But trust me—around this rar­efied coun­try­side, pheas­ant farms are de rigueurwalking_in_the_mist.sized I passed a large mead­ow that my wife and I refer to as Dar­cy Meadow—named after Mr. Dar­cy in Pride and Prej­u­dice, because on sum­mer morn­ings there is often a roman­tic haze hang­ing over it like in the cli­mac­tic scene in the 2005 movie. And I passed what we call the Christ­mas in Con­necti­cut house. We call it this because the place looks exact­ly like the house in the clas­sic film—especially when there’s snow on the ground.

I passed these things and kept walk­ing.

As I con­tin­ued to walk, suck­ing in the cold, fresh air, I could feel the fog clear­ing out of my head. My heart beat faster. Blood surged through my veins again.

All through the hol­i­days, I had kept myself chained to my desk, attend­ing to a num­ber of busi­ness-relat­ed mat­ters: doing a radio inter­view, updat­ing this web­site and my Twit­ter page, being active on Face­book, writ­ing some speech­es, and inter­act­ing with fans of my books and read­ers of this blog.

In addi­tion, for the past two weeks, I was deal­ing with a cri­sis in my per­son­al life that put me on an emo­tion­al roller-coast­er and caused me to lose sleep, weight and peace of mind.

But here’s the thing: Through it all—no mat­ter what—I wrote.

Every day.

moleskinenotebookIn one form or anoth­er, and with vary­ing lev­els of out­put, I have writ­ten every day for 25 years. Some days it’s been only a sen­tence or two in my pock­et note­book; many days, a few pages in my jour­nal; and on one excep­tion­al day (dur­ing a man­ic cycle), I cranked out 8,602 words towards the sec­ond Dako­ta nov­el. (I’m sure of this num­ber because, for a long time, like a lot of writ­ers I kept track of my dai­ly word out­put.)

I’ve writ­ten through a hor­ri­ble tooth abscess, mononu­cle­o­sis, and par­a­lyz­ing depres­sion. I’ve writ­ten through the death of my beloved grand­fa­ther, and I even wrote on the morn­ing of my wed­ding (in my jour­nal, briefly, about my bride-to-be).

I was pon­der­ing all of this—how writ­ing has seen me through the best and the worst times of my life—when I reached the end of my walk. I was miles down a dirt road, Wood­stock Lane. Ahead, a flock of wild turkeys walked out of the woods and crossed the road.

I thought about a dif­fi­cult email that I’d had to write before I left on my walk, and how until I wrote it, I was uncer­tain how I felt.

And then, I had an epiphany. We writ­ers live for these, and we always write them down. I took out my note­book and wrote,

If you are tru­ly a writer, then writ­ing is how you process the world, and you can’t be cer­tain what you think or feel about some­thing until you write about it.

 

I stood in the leaves on the edge of the woods and wrote many of the thoughts that appear in this blog entry. A Range Rover crept by, and in my periph­ery I saw the dri­ver star­ing at me. I ignored him. We writ­ers are used to this. We’re used to whip­ping out our note­books at inop­por­tune times, or in less-than-ide­al places. Just yes­ter­day, in the super­mar­ket, I saw an attrac­tive young moth­er with tod­dlers, and the scene remind­ed me of some­thing, and I stopped in the Bak­ery sec­tion, plant­ed my note­book on some box­es of pies, and wrote about it.

At that point, fin­ished with my thought, I put my note­book away and head­ed back down the road. The wild turkeys were long gone. It was get­ting late in the day, and the woods were grow­ing dark.

No mat­ter what vicis­si­tudes life has brought me, writ­ing has always been there. And when I’ve had prob­lems, ques­tions, or crises, even if I haven’t writ­ten about them specif­i­cal­ly, the very act of writ­ing—writ­ing anything—has brought me answers.

By Chris Orcutt

CHRIS ORCUTT is an American novelist and fiction writer with over 30 years' writing experience and more than a dozen books in his oeuvre. Since 2015, Chris been working exclusively on his magnum opus. Bodaciously True & Totally Awesome: The Legendary Adventures of Avery “Ace” Craig is a 9-episode novel about teens in the 1980s. It’s about ’80s teens, but for adults (in other words, it’s decidedly not YA literature), and he’s applied this epic storytelling approach to the least examined, most misunderstood, most marginalized narrative space in American literature: the lives and inner worlds of teenagers.

Comments (6)