Me and My Montblanc

Montblanc in pieces, preparing to go to the pen hospital.

Mont­blanc in pieces, prepar­ing to go to the pen hos­pi­tal. See the rest of Mont­blanc’s jour­ney below!

This is the very short sto­ry of a man and his pen.

Around 1988, when I went to col­lege to study phi­los­o­phy, my for­ward-think­ing uncle, Deal Waters, and my aunt, Lav­erne, knew that I want­ed to become a writer and bought me a beau­ti­ful pen to encour­age me. The pen was (and still is) a Mont­blanc 4810 Meis­ter­stück (Ger­man for “mas­ter­piece”) foun­tain pen. It is one of my most prized pos­ses­sions.

Using this pen (and pen­cils), I have writ­ten first drafts of all of my nov­els and sto­ry col­lec­tions. Count­ing ones that haven’t been pub­lished, that makes around a dozen works. I have also writ­ten the first drafts of count­less speech­es, video scripts, essays and arti­cles with my Mont­blanc. Not to men­tion near­ly 20 years of jour­nal entries.

In all, I’ve prob­a­bly writ­ten a mil­lion words with my Mont­blanc alone.

There­fore, you can imag­ine my sad­ness when, the oth­er day, my Mont­blanc broke. After 25 years of faith­ful ser­vice, it final­ly gave in: the screw that con­nects the two reser­voir enclo­sures snapped off. I was heart­bro­ken.

montblanc_fountain_gp_106514_8At that moment I real­ized why it—a mere phys­i­cal object—meant so much to me: because in buy­ing me the pen, my Uncle Deal and Aunt Lav­erne were sup­port­ing me in my desire to become a writer before any­one else. I mean before any­one. Before I had pub­lished a sin­gle book, sto­ry, mag­a­zine arti­cle or news piece. Before my first and only true men­tor, Thomas Gal­lagher, learned of my desire to write. In fact, I can’t remem­ber a sin­gle thing I had writ­ten at that time, except for a num­ber of short sto­ries that only my grand­fa­ther had read.

My Uncle Deal was the quin­tes­sen­tial South­ern gen­tle­man. Real class. He grad­u­at­ed from the old and pres­ti­gious William and Mary in Williams­burg, and I remem­ber him as hav­ing won­der­ful man­ners. My Aunt Lav­erne was a sharp and deter­mined woman, and I always admired her con­fi­dence. They died before I pub­lished the Dako­ta nov­els or my oth­er recent efforts, but I like to think that they some­how know about my books.

And how their gift of the Mont­blanc inspired me more than they could have ever pos­si­bly imag­ined.

*

Below: Mont­blanc’s trip to the pen hos­pi­tal on Madi­son Avenue in Man­hat­tan:

 

Montblanc in his case.

Mont­blanc in his case.

 

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Mont­blanc wait­ing alone at the train sta­tion for the next train to Man­hat­tan.

 

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Mont­blanc obey­ing the rules on the train plat­form.

 

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Mont­blanc on the train, look­ing to me for reas­sur­ance. He’s ner­vous about going to the pen hos­pi­tal.

 

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Mont­blanc arrives in Grand Cen­tral Ter­mi­nal. He’s nev­er been here before.

 

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Mont­blanc pre­pares to get on the sub­way uptown.

 

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Mont­blanc arrives at the Mont­blanc store/pen hos­pi­tal.

 

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Mont­blanc is exam­ined by the nice pen doc­tor. He is due home in two weeks.

By Chris Orcutt

CHRIS ORCUTT is an American novelist and fiction writer with over 30 years' writing experience and more than a dozen books in his oeuvre. Since 2015, Chris been working exclusively on his magnum opus. Bodaciously True & Totally Awesome: The Legendary Adventures of Avery “Ace” Craig is a 9-episode novel about teens in the 1980s. It’s about ’80s teens, but for adults (in other words, it’s decidedly not YA literature), and he’s applied this epic storytelling approach to the least examined, most misunderstood, most marginalized narrative space in American literature: the lives and inner worlds of teenagers.

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