About Chris

CHRIS ORCUTT is a crit­i­cal­ly acclaimed and best­selling Amer­i­can nov­el­ist and fic­tion writer with over 30 years’ writ­ing expe­ri­ence. Besides nov­els and short sto­ries, Chris has writ­ten jour­nal­ism, scripts, plays, and speech­es. 

 

The Books
Since 2015, Chris Orcutt been work­ing exclu­sive­ly on his mag­num opus. Boda­cious­ly True & Total­ly Awe­some: The Leg­endary Adven­tures of Avery “Ace” Craig is a 9‑episode nov­el about teens in the 1980s. It’s about ’80s teens, but for adults (in oth­er words, it’s decid­ed­ly not YA lit­er­a­ture), and he’s applied this epic sto­ry­telling approach to the least exam­ined, most mis­un­der­stood, most mar­gin­al­ized nar­ra­tive space in Amer­i­can lit­er­a­ture: the lives and inner worlds of teenagers.

The 9 episodes or books of Boda­cious­ly tell the sto­ry of Avery and his high school friends against the vibrant back­drop of the Rea­gan era with sem­i­nal events includ­ing the return of Halley’s Comet, the Chal­lenger explo­sion, the Cher­nobyl acci­dent, the Reyk­javik con­fer­ence, the “Garbage Barge” fias­co, and Pres­i­dent Reagan’s Berlin Wall speech. Over the course of two years, Avery goes on adven­tures across the Unit­ed States and to Europe; inter­acts with a vari­ety of ’80s celebri­ties and polit­i­cal lead­ers; nav­i­gates the per­ilous, tem­pes­tu­ous seas of sex and romance; learns the nature of true love; endures death, loss, and hard­ship; and trans­forms from a teenage boy into a young man.

Like oth­er ground­break­ing nov­els, Orcutt’s new work tran­scends exist­ing labels. It’s a com­ing-of-age sto­ry, a love sto­ry, his­tor­i­cal fic­tion, and an odyssey, offer­ing read­ers a tru­ly immer­sive expe­ri­ence: immer­sion in the music, cul­ture, fash­ion, lin­go, cus­toms, and every­day details of teenage life in the ’80s. Tru­ly, what he’s offer­ing read­ers is a time machine back to this mag­i­cal era—possibly the great­est time ever to be a teenag­er in Amer­i­ca.

In order to cre­ate this time machine for read­ers, for over a decade Orcutt wrote and lived in the 1980s as much as pos­si­ble. With vir­tu­al­ly no con­tact with the inter­net or cur­rent events, Orcutt immersed him­self in the music, TV shows, movies, and cul­ture from 1985–87. Indeed, one 1980s cul­tur­al his­to­ri­an has dubbed him “Lord of the ’80s” because of how deeply immersed in ’80s cul­ture he was dur­ing the decade of writ­ing his mag­num opus, and the wide-rang­ing knowl­edge he devel­oped about 1980s music, TV, movies, fash­ion, and cul­tur­al and his­tor­i­cal events. The result is that Orcutt has cre­at­ed a new genre in Amer­i­can literature—what he’s call­ing an “episod­ic nov­el” and “teen epic.”

Regard­less of whether it’s a com­mer­cial or crit­i­cal suc­cess,” Orcutt says, “the work is unde­ni­ably mon­u­men­tal , and it required a unique com­bi­na­tion of gifts to write, includ­ing facil­i­ty with lan­guage, yes, but also per­sis­tence, sta­mi­na, self-dis­ci­pline, and self-direc­tion. I know that Boda­cious­ly is my mag­num opus, and I know I was born to write it.

“To peo­ple who haven’t embarked on some­thing that the rest of the world con­sid­ers impos­si­ble, what I’m about to say is going to sound immod­est or out­right arro­gant, but here it is: I con­sid­er the writ­ing of Boda­cious­ly—a 1.2‑million-word, 9‑episode novel—to be a lit­er­ary accom­plish­ment on par with sum­mit­ing Mount Ever­est,” Orcutt says. “How­ev­er, because I wrote, edit­ed, type­set, proof­read, and pol­ished every draft on my own, I con­sid­er what I’ve done anal­o­gous to moun­taineer Rein­hold Mess­ner’s climb­ing of Ever­est in 1980—when he did it solo, with­out bot­tled oxy­gen, and with­out a sup­port team.”

Through­out the decade of writ­ing Boda­cious­ly, three quotes on his office white­board have kept him moti­vat­ed:

It always seems impos­si­ble until it’s done.”

— Nel­son Man­dela

 

“You can’t train for some­thing all your life and then have it fall short because you are hur­ry­ing to get it fin­ished.”

— John Stein­beck

 

There are just cer­tain human beings able to put one foot in front of the oth­er relent­less­ly, psy­cho­log­i­cal­ly able to do it, where­as oth­er peo­ple would fail.”

— from the Mt. Ever­est doc­u­men­tary Beyond the Edge

Orcutt’s ear­li­er fic­tion, includ­ing Dako­ta Stevens Mys­tery Series; One Hun­dred Miles from Man­hat­tan; The Man, The Myth, The Leg­end; and Per­pet­u­at­ing Trou­ble, has received crit­i­cal acclaim from a vari­ety of pro­fes­sion­al review­ers: Pub­lish­ers Week­ly, Mid­west Book Review, and Kirkus Reviews, among oth­ers.

 

The Bio
Born in the State of Maine, Orcutt lived the major­i­ty of his child­hood and ear­ly adult­hood in Dutchess Coun­ty, New York. He attend­ed col­lege in Boston, Mass­a­chu­setts, grad­u­at­ing sum­ma cum laude, Phi Beta Kap­pa with a degree in phi­los­o­phy. Orcutt’s first job after col­lege was for the now-defunct Tacon­ic News­pa­pers (includ­ing The Mill­brook Round Table, where he was award­ed by the New York Press Asso­ci­a­tion), and lat­er on writ­ing as a free­lance reporter for The Pough­keep­sie Jour­nal (New York’s old­est news­pa­per) and as a free­lancer for mag­a­zines. Through his 20s into his ear­ly 30s, after jour­nal­ism and before becom­ing a full-time nov­el­ist, Orcutt earned his liv­ing as a high school Amer­i­can Stud­ies teacher, cor­po­rate com­mu­ni­ca­tions exec­u­tive, col­lege writ­ing instruc­tor, and speech­writer.

 

The Process
Through­out his career, Orcutt has writ­ten with one guid­ing prin­ci­ple: “I write books that I would want to read,” he says. “When I’m read­ing a nov­el, I’m always look­ing for surprises—the plot twist, the beau­ti­ful scene, the quirky char­ac­ter, the mem­o­rable line of dia­logue, or the gor­geous, pic­turesque sen­tence. So those are the things I want to give to my read­ers.”

Like a samu­rai sword-mak­er who forges, folds, and ham­mers a length of steel until it becomes both a per­fect weapon and a piece of art, Chris Orcutt invests thou­sands of hours in every one of his novels—writing, research­ing, rewrit­ing, and editing—to make them the very best they can be.

An old-school nov­el­ist who writes his first drafts with a Palomi­no Black­wing 602 pen­cil or one of his many vin­tage type­writ­ers, Orcutt believes in hard work over tal­ent, sub­stance over hype—rising every day at 4 or 5 a.m., mak­ing cof­fee, and press­ing on with his lat­est work in progress. If you are a young or aspir­ing writer, you have come to the right place. Based on his wide-rang­ing writ­ing expe­ri­ence, Orcutt has writ­ten a num­ber of pieces on his blog about the writ­ing process—including hints, tips, and instruc­tion. These blog entries have been curat­ed on his Thoughts on Writ­ing page.

Orcutt’s favorite writ­ers (in alpha­bet­i­cal order) are Jane Austen, Bill Bryson, Ray­mond Carv­er, Ray­mond Chan­dler, John Cheev­er, Anton Chekhov, F. Scott Fitzger­ald, Ian Flem­ing, Charles Fra­zier, Ernest Hem­ing­way, Hen­rik Ibsen, John Irv­ing, David Mamet, Vladimir Nabokov, Robert B. Park­er, William Shake­speare, John Stein­beck, Leo Tol­stoy, and E.B. White. His goal as a writer is lofty, but one that keeps him moti­vat­ed:

Author Chris Orcutt cross-country skiing“There are lots of good writ­ers out there, but I hold myself and my work to a high­er stan­dard. I want to become a great writer. I want to sum­mit Mount Ever­est as a writer and stand up there with Tol­stoy, Chekhov, Nabokov, Hem­ing­way, and Fitzger­ald. And I’m going to make it up there, or, like George Mal­lo­ry on Ever­est, die try­ing.”

For more on Orcutt, check out this exten­sive inter­view with WorldClassPerformer.com.

 

The Pho­tos
Here are some pho­tos tak­en dur­ing the decade Orcutt was writ­ing Boda­cious­ly.

previous arrow
Orcutt_Writing_300dpi
next arrow

Subscribe and receive news and exclusive content:

* indi­cates required