Dakota Novels Get 5 Stars from IndieReader

IndieRead­er, the pop­u­lar and infor­ma­tive web-zine about self-pub­lished books, reviewed A Real Piece of Work back in Feb­ru­ary and gave the nov­el 5 stars.

So when I pub­lished The Rich Are Dif­fer­ent over the sum­mer, I sub­mit­ted the nov­el to them for a pos­si­ble review. They were swamped at the time, but I fol­lowed up with them last week, and today, less than a week lat­er, they pub­lished a review of the sec­ond book.

Anoth­er 5‑star review.

Read the review of A Real Piece of Work.

Read the review of The Rich Are Dif­fer­ent.

The review­er of both books, Maya Fleis­chmann, cre­ates some nice turns of phrase in her reviews. She writes, “Action, lust, dan­ger, style and wit­ty repar­tee, Orcutt’s A Real Piece of Work is a work of art.” And of The Rich Are Dif­fer­ent she writes, “Dako­ta Stevens is thor­ough­ly like­able and appeal­ing with his rich mix of chival­ry and clever mis­chief.” There are sev­er­al oth­er exam­ples, but I’ll let you read them for your­self.

Besides pro­mot­ing the reviews, there is no larg­er point of this blog entry, except per­haps to acknowl­edge that like all writ­ers, I want my work to be liked and accept­ed. Cer­tain­ly reviews from reg­u­lar read­ers mean just as much to me as IndieRead­er’s, but there is some­thing espe­cial­ly nice about hav­ing a pro­fes­sion­al stamp of approval. They even sent me a “stick­er,” shown here.

Thank you for putting up with this ram­bling, gloat­ing entry. Some­times, though, you have to stop and savor the small suc­cess­es, and this is one of them.

 

By Chris Orcutt

CHRIS ORCUTT is an American novelist and fiction writer with over 30 years' writing experience and more than a dozen books in his oeuvre. Since 2015, Chris been working exclusively on his magnum opus. Bodaciously True & Totally Awesome: The Legendary Adventures of Avery “Ace” Craig is a 9-episode novel about teens in the 1980s. It’s about ’80s teens, but for adults (in other words, it’s decidedly not YA literature), and he’s applied this epic storytelling approach to the least examined, most misunderstood, most marginalized narrative space in American literature: the lives and inner worlds of teenagers.