Farewell, Facebook. Ta-Ta, Twitter. I’ve Got Writing to Do.

I’ve been tired of social media for a long time.

How­ev­er, like a drug addict, I’ve con­tin­ued to take hits off it, hop­ing to get a sim­i­lar high as in the past, only to dis­cov­er that no mat­ter how much time and ener­gy I invest in it, I’m nev­er going to get any­thing sub­stan­tial back from it.

Why is this? Because the very sys­tem isn’t about sub­stance; it’s about ephemera and what’s “trend­ing,” not what’s impor­tant and last­ing.

So I’ve become fed up with social media, and I’m not invest­ing any more of my pre­cious time—time that I could and should be spend­ing writ­ing—on some­thing inca­pable of giv­ing back to me in mea­sures equal to what I might put into it.

Orig­i­nal­ly I envis­aged writ­ing a long, elo­quent good­bye let­ter to social media, but I’ve already invest­ed too much time in this per­ni­cious time-sink, so I’m sim­ply going to give the rea­sons why I’m back­ing away from it, and be done with it.

By my best esti­mate, I have spent an aver­age of 4 hours per week on social media over the past decade. This trans­lates to about 2,000 hours total, or 50 work weeks. So, out of the past 10 years, I’ve spent one entire year on social media.

Because I’ve paid a high price already—I’ve invest­ed A YEAR OF MY LIFE in social media, with very lit­tle to show for my efforts (i.e., seri­ous­ly, 1200 Twit­ter fol­low­ers in 6 years?)—I am not going to do what some mod­ern Lud­dites and pri­va­cy fanat­ics are doing, and that’s to delete my accounts. No way. I’ve put too much into social media now to do that. But what I am going to do is dras­ti­cal­ly cut any fur­ther invest­ment in the social media world.

087From now on, I am treat­ing Face­book, Twit­ter and the rest of the social media uni­verse as a giant office break room bul­letin board. When I have actu­al news to share—say a new book or a major interview—I am sim­ply going to tack up my fly­er and walk away. Here’s why:

 

1. I’ve learned that I can’t move the nee­dle.

For a long time, I bought into a uni­ver­sal­ly unques­tioned writing–social media axiom: “You have to be active on social media so you can build your audi­ence.”

Well, I’ve learned that the return on invest­ment in social media for writ­ers is scanty at best. It has been for me any­way.

Social media “experts” would say that I haven’t put enough time into it, and that if I put more time in, I’d see “best­selling” results. But frankly, I’ve glanced at the books of a lot of authors who pro­mote their books on social media with impunity—and with a relent­less­ness rivaled only by termites—and almost every time I am dis­gust­ed by the qual­i­ty of the writ­ing.

(By the way, I’m not wor­ried about insult­ing these peo­ple because they won’t read this any­way. They’re too busy crank­ing out their next “book” in two months and then assault­ing the social media air­waves with it.)

No thanks—I’d pre­fer to remain rel­a­tive­ly obscure and write well than to sell 100,000 copies of a piece of trash.

Of course, I real­ize there might be a hand­ful of writ­ers out there who are doing all three—1) par­tic­i­pat­ing heav­i­ly in social media, 2) writ­ing well, and 3) sell­ing a lot of books—but their exis­tence only begs this ques­tion:

How much bet­ter might these writ­ers be if they were invest­ing more of their time in their writ­ing and not social media?

Ulti­mate­ly, there’s so much noise and jerky move­ment in the social media world that the only way to stand out is to be the qui­et, still one.

 

2. Social media makes me crazy.

So much of what con­sti­tutes the social media world is trite, ephemer­al and/or depress­ing.

This is why I haven’t had tele­vi­sion (in the form of chan­nels, with news and com­mer­cials) for 7–8 years: I’m a High­ly Sen­si­tive Per­son (e.g., I rou­tine­ly put bugs into jars to release them out­side, instead of killing them), and with TV I got tired of hear­ing about things that I could­n’t change—murders, polit­i­cal cor­rup­tion, drought, famine, war, etc.

The same has proven true of social media for me, most recent­ly regard­ing that den­tist who killed Cecil the Lion.

Please, I don’t need or want to hear about this stuff. Was I out­raged? Yes. But my gen­uine out­rage about the event was drowned out by the large­ly false out­rage on social media—the peo­ple who just enjoy gang-tack­ling, the peo­ple who lie in wait for the next polit­i­cal­ly cor­rect cause célèbre du jour.

Every time I’ve gone onto social media late­ly, it’s been an unpleas­ant expe­ri­ence for one rea­son or anoth­er. This does­n’t hap­pen to me when I’m sharp­en­ing my pen­cils or chang­ing a type­writer rib­bon.

 

3. I’m a writer, not an inter­net mar­ket­ing guru or for­mer-some­thing-or-oth­er who wants to be seen as an “author.”

Writ­ing the best pos­si­ble nov­els I can write is hard work. Sure, it’s not cut­ting gran­ite—some­thing my grand­fa­ther and great-grand­fa­ther did—but it is men­tal­ly and phys­i­cal­ly drain­ing, and it requires com­plete ded­i­ca­tion. Any time I spend on social media is just that much less time I have to write.

I think about one of my writ­ing idols, Anton Chekhov, whose life was cut short by tuber­cu­lo­sis at 44. I’ve already got­ten a year more than he got. If he were alive today and still ill with a chron­ic dis­ease, would he be invest­ing any of his time in social media? I doubt it. More like­ly he’d be writ­ing as much as his health allowed and spend­ing what time he could with his actress lover/wife, Olga Knip­per.

Also, I’ve dis­cov­ered that, for me, using social media to write “posts” is too cathar­tic; hav­ing the instant out­let reduces my cre­ative ten­sion to put my words into some­thing more permanent—a book.

I want to become the best writer I can be, and to do this, cer­tain things have to go, and social media is one of them. I’m just going to have to re-accept the lone­li­ness that accom­pa­nies being a writer, and get my inter­ac­tion and social sus­te­nance from more sub­stan­tial sources: phone calls and lunch­es with friends, golf, chess club, French lessons, trav­el, and, hope­ful­ly, emails and let­ters from read­ers and fans.

If you made it this far, you’re one of the peo­ple I’d like to stay in touch with. Send me an email some­time. I’d love to hear from you.

—Chris

By Chris Orcutt

CHRIS ORCUTT is an American novelist and fiction writer with over 30 years' writing experience and more than a dozen books in his oeuvre. Since 2015, Chris been working exclusively on his magnum opus. Bodaciously True & Totally Awesome: The Legendary Adventures of Avery “Ace” Craig is a 9-episode novel about teens in the 1980s. It’s about ’80s teens, but for adults (in other words, it’s decidedly not YA literature), and he’s applied this epic storytelling approach to the least examined, most misunderstood, most marginalized narrative space in American literature: the lives and inner worlds of teenagers.

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