Farewell, Millbrook Round Table

Walk­ing into the din­er yes­ter­day, I glanced at the hon­or box con­tain­ing our vil­lage news­pa­per, The Mill­brook Round Table, and was shocked to read the fol­low­ing head­line:

Round Table Pub­lish­es Last Issue, Clos­es Its Doors

42-18288293I was numb as I went inside and had my two cups of black cof­fee. Part of me wished I still drank, so I could go pick up a pint of Irish whiskey and lace my cof­fee with it.

To me, a guy whose first job out of col­lege was as the lone reporter for the Round Table, read­ing that the paper had gone under was like hear­ing that an old friend—a friend you had­n’t spo­ken to in years—had died sud­den­ly, and pen­ni­less. But look­ing into your friend’s death, you dis­cov­er that it actu­al­ly came after a long ill­ness, and in the case of my old friend, it was an ill­ness caused by three fac­tors:

The Inter­net.

The World Econ­o­my.

The fact that nobody reads news­pa­pers any­more.

Sad­ly, the Mill­brook Round Table was just one of scores of local news­pa­pers forced to close down, because the hold­ing com­pa­ny of many of them, Jour­nal Reg­is­ter Co., default­ed on loans and was de-list­ed from the New York Stock Exchange. How­ev­er, despite the sym­pa­thy I feel for all of those reporters, edi­tors, pho­tog­ra­phers, graph­ic design­ers, proof­read­ers, ad sales­peo­ple and deliv­ery peo­ple, no one can say we did­n’t see this com­ing. The truth is, news­pa­pers have been an anti­quat­ed tech­nol­o­gy, and try as they might, they haven’t been able to find a new busi­ness mod­el that would enable them to be prof­itable in the post-paper world of instant, online pub­lish­ing.

But this piece isn’t meant to be a dirge to news­pa­pers in gen­er­al; it’s a dirge to one news­pa­per I knew well and loved because, for a brief time, I was a part of its 117-year his­to­ry. In fact, I count myself lucky to have been the reporter for the Round Table in 1992, dur­ing the cen­ten­ni­al of both the paper and Mill­brook itself.

I was home on spring break and had­n’t even grad­u­at­ed yet when then Exec­u­tive Edi­tor Diane Pineiro-Zuck­er and Man­ag­ing Edi­tor Gene Lomoriel­lo inter­viewed me for the reporter job. As a phi­los­o­phy major, I was an anom­aly in the news­pa­per world. I did­n’t know the dif­fer­ence between a nut­graph and an invert­ed pyra­mid, but they appre­ci­at­ed my abil­i­ty to write clear­ly and con­cise­ly, as well as my desire for pre­ci­sion and exac­ti­tude in sen­tences, so they hired me. I went back to school the fol­low­ing week, took my final exams and began on the news­pa­per two weeks lat­er.

Despite its small size, the paper was tech­no­log­i­cal­ly advanced, using net­worked Apple Mac­in­tosh­es through­out the office for report­ing, edit­ing and lay­out. The pub­lish­ers at that time, Hamil­ton and Helen Meserve, were intel­li­gent, cul­tured Man­hat­tan­ites who had retired from big city finance to the Mill­brook coun­try­side, and they ran the paper judi­cious­ly and cre­ative­ly, going so far as to buy a board­ing house for their reporters to bal­ance the low salary. Hamil­ton Meserve was a seri­ous man and from what I remem­ber an avid trout fish­er­man, and he was also the son of the Wicked Witch of the West (a.k.a. Mar­garet Hamil­ton).

6a00d8341c630a53ef0133ef23b27d970b-600wiEvery Tues­day after­noon, when we were on dead­line for the week­ly edi­tion, I would pick up the phone, hit the “INTERCOM—ALL” but­ton, and screech (in my best Wicked Witch / Miss Gulch imper­son­ation, which was pret­ty damn good), “I’LL GET YOU, MY PRETTY! AND YOUR LITTLE DOG, TOO!” Once, Mr. Meserve was there and no doubt heard me. But he nev­er fired me. Either he appre­ci­at­ed my brash, unbri­dled, man­ic ener­gy, or I was just too damn tal­ent­ed to fire. I like to think it was both.

As a reporter in the coun­try, I did­n’t get many of what you’d call “siz­zling” news sto­ries. Most of the time, my job as the small-town reporter was to serve as chron­i­cler of the com­mu­ni­ty’s events: fairs, pageants, horse shows, auc­tions, art expos, book sales, library dri­ves, ball games, vil­lage coun­cil meet­ings, and pro­files of both local celebri­ties and reg­u­lar joes.

Still, there are sev­er­al sto­ries that have stayed in my mind, some of which I believe made a dif­fer­ence. I inves­ti­gat­ed a devel­op­ment com­pa­ny on their plans for restor­ing the aban­doned Ben­nett Col­lege site in Mill­brook, and I dis­cov­ered that they had­n’t done any of the Flori­da build­ing projects they claimed. I inter­viewed a Sil­ver Star winner—a bom­badier over North Africa in WWII—who told me he could make out Pat­ton’s shiny hel­met from 30,000 feet. And in one of my first sto­ries at the paper, I report­ed on a Ger­man Shep­herd that tore a rabid rac­coon to pieces. Gene ques­tioned its news­wor­thi­ness, but at the time rabies cas­es were spring­ing up all over New York and Con­necti­cut, and folks want­ed the rabid rac­coons dead. The dog’s name was (I’m not kid­ding) Rocky, and short­ly after my sto­ry and his pho­to appeared in the paper, he became a local hero.

And then there were the humor­ous moments. Like the time I went to a Vil­lage Board meet­ing for the annu­al bud­get review and one of the Vil­lage trustees com­plained about a num­ber of the items, until the Vil­lage Clerk final­ly said, “Dammit, R–, you’re look­ing at last year’s bud­get!” Then there was the time I was cov­er­ing the Memo­r­i­al Day parade and the police chief (who was direct­ing traf­fic in mir­rored sun­glass­es) called me over, looked around and urged me to poke him in the chest. So I did, and he said, “Yeah…bulletproof. Stop a god­damn .357 point-blank, this son-of-a-bitch will.”

Or take the time I wrote about an event from 1892 in my week­ly “Reporter’s Note­book” col­umn. I made fun of a news item from 100 years before, when a local cit­i­zen had, “lost con­trol of his horse, let­ting it ride up on the Vil­lage green.” In response I wrote, “Sounds like some­body was dip­ping a bit too much into the sauce.” Well…the day the paper came out, a woman (who, iron­i­cal­ly, worked at the Round Table) con­front­ed me, demand­ing an apol­o­gy because her grand­fa­ther was the one I’d inad­ver­tent­ly writ­ten about. Unfor­tu­nate­ly for me, Mill­brook had, and still has, a predilec­tion for pro­duc­ing cen­te­nar­i­ans.

With­out ques­tion, I’m pleased that I began my pro­fes­sion­al writ­ing career in journalism—the same way two of my idols got their start: Mark Twain and Ernest Hem­ing­way. It was Hem­ing­way who once said, “News­pa­per work will not harm a young writer and could help him if he gets out of it in time.” I feel a pang of regret that most young peo­ple com­ing up today won’t get the same oppor­tu­ni­ties to hone their writ­ing skills while being paid for their words. In essence a paid appren­tice­ship, news­pa­per work taught me a lot about writ­ing and work in gen­er­al.

I learned the impor­tance of writ­ing short declar­a­tive sen­tences. I learned the role of com­mas in cre­at­ing non­re­stric­tive claus­es. I learned that nouns and verbs are the meat of writ­ing and that when­ev­er pos­si­ble you should elim­i­nate adjec­tives and adverbs. I learned how to pro­duce under time pres­sure. notebook-page-1I learned that spelling DOES matter—particularly the spellings of peo­ple’s names. I learned to use semi­colons spar­ing­ly. I learned how to write a lead. I learned how to spot a sto­ry, how to notice details, how to take notes. I devel­oped close to a phono­graph­ic mem­o­ry, espe­cial­ly when it comes to dialogue—the dic­tion, accents and rhythms of peo­ple’s speech. I learned how to LISTEN, and that often the best thing you can do as a reporter is to keep qui­et and let the oth­er per­son talk. I learned the val­ue of prepa­ra­tion: hav­ing your ques­tions planned in advance, know­ing you could always stray from the agen­da if you want­ed to. I learned how crit­i­cal it was to be fair and accu­rate in your reporting—in any form of writ­ing, I believe—if you want­ed your sources to con­tin­ue being your sources in the future, and if you want­ed to main­tain a rep­u­ta­tion for integri­ty.

Most impor­tant of all, writ­ing for the Round Table day in and day out built up what I think of as my total word count, or the amount of over­all expe­ri­ence I have with words. George Bernard Shaw once wrote that a writer should­n’t expect to be paid for his own work (some­thing that was­n’t jour­nal­ism) until he has writ­ten a mil­lion words. That’s right—a MILLION. What the Round Table did for me, more than any­thing else, was give me a head start on this mil­lion-word jour­ney, so that by the time I fin­ished there about a year lat­er, I had writ­ten, by my esti­mate, at least 900,000 words.

Coin­ci­den­tal­ly, last week­end I was going through old box­es of let­ters when I came upon sev­er­al let­ters of praise from for­mer sub­jects of Round Table arti­cles. This serendip­i­tous find spurred me to unzip my leather port­fo­lio and browse my clips from those days, almost 20 years ago. My writ­ing is sharp­er and much more felic­i­tous now than it was then, but even then it had that spark—a love of lan­guage and a desire to get it right.

After The Mill­brook Round Table I wrote for the area’s dai­ly news­pa­per, The Pough­keep­sie Jour­nal, and while I learned a lot from my edi­tor, Stu Shinske, and while the chal­lenge of meet­ing a dai­ly dead­line was excit­ing, the Round Table had tak­en my jour­nal­ism vir­gin­i­ty, so it would always be first in my heart. I can still remem­ber wak­ing up at 6:00 am to eat break­fast with my grand­par­ents, then dri­ving in a rush into Mill­brook to be the first one in the office, to sit down at my desk with the cool, lilac-tinged breeze waft­ing in the win­dow, sip­ping my cof­fee and start­ing to type.

I’m glad I got to expe­ri­ence this piece of Amer­i­cana before it died, if only for a short time. I loved being a news­pa­per­man, and I’m proud to say I was one. 

By Chris Orcutt

CHRIS ORCUTT is an American novelist and fiction writer with over 30 years' writing experience and more than a dozen books in his oeuvre. Since 2015, Chris been working exclusively on his magnum opus. Bodaciously True & Totally Awesome: The Legendary Adventures of Avery “Ace” Craig is a 9-episode novel about teens in the 1980s. It’s about ’80s teens, but for adults (in other words, it’s decidedly not YA literature), and he’s applied this epic storytelling approach to the least examined, most misunderstood, most marginalized narrative space in American literature: the lives and inner worlds of teenagers.