My Granite Reminder

Like a lot of writ­ers, I keep a stone on my desk to use as a paper­weight. But mine has a spe­cial mean­ing to me because it’s a chunk of gran­ite from one of the quar­ries my grand­fa­ther and great-grand­fa­ther worked, and every time I look at it, I’m remind­ed of how far the Orcutts have come.

Last sum­mer, while work­ing on a sto­ry that takes place off the coast of Maine, I spent some time on the island my fam­i­ly comes from: Vinal­haven.

Tool­ing around the island in a friend’s pick­up truck, I vis­it­ed the places my ances­tors had lived and worked—especially the gran­ite quar­ries. In the ear­ly 1900s, gran­ite from Vinal­haven was used for a lot of impor­tant build­ings in the North­east, includ­ing the Cathe­dral of St. John the Divine in New York City. My great-grand­fa­ther was part of the small crew that cut and shaped the columns for that impres­sive struc­ture.

My grand­fa­ther also cut gran­ite for build­ings, but he did some­thing else that I find just as impres­sive, and that’s cut­ting paving block. In those days, many of the streets in Boston and New York were still cob­ble­stone, which meant that some­body had to cut those uni­form-sized blocks.

Accord­ing to my uncle Har­ris, my grand­fa­ther made 2 cents for each block. “This was dur­ing the Depres­sion you see,” Har­ris said. “He’d bring home forty, fifty dol­lars a week. Do the math. That’s two thou­sand to twen­ty-five hun­dred stones a week. And if they weren’t per­fect, he did­n’t get paid.”

Where am I going with this entry, you ask? What’s my point?

My point is this:

Every time I sit down at my com­put­er and get to use my brain to make a liv­ing, I pick up my gran­ite paper­weight, feel its rough­ness and its heft, and think about the hard work my ances­tors did that enabled me to be where I am today. Because they worked their ass­es off cut­ting stone, I’m able to indulge in cre­ative pur­suits. I like to think they’d want this, that they’d want me to do what I loved instead of just work­ing to sur­vive.

I’m incred­i­bly proud of them and grate­ful for the sac­ri­fices they made.

The suc­cess I seek with my writ­ing isn’t just for myself.

It’s for them.

By Chris Orcutt

CHRIS ORCUTT is an American novelist and fiction writer with over 30 years' writing experience and more than a dozen books in his oeuvre. Since 2015, Chris been working exclusively on his magnum opus. Bodaciously True & Totally Awesome: The Legendary Adventures of Avery “Ace” Craig is a 9-episode novel about teens in the 1980s. It’s about ’80s teens, but for adults (in other words, it’s decidedly not YA literature), and he’s applied this epic storytelling approach to the least examined, most misunderstood, most marginalized narrative space in American literature: the lives and inner worlds of teenagers.

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