An Open Thank You Letter to Readers

This one is for you read­ers. For those of you who took a risk on a rel­a­tive­ly unknown quan­ti­ty (me) by plunk­ing down cash for my PI/mystery nov­el, A Real Piece of Work. For read­ing it, and for express­ing your love of the book to every­one you know.

Your words of praise for the nov­el have encour­aged me more than I can express.

I also feel vin­di­cat­ed as all hell.

You have to understand—I knew it. Back when I was sub­mit­ting A Real Piece of Work to agents, and then my agent to edi­tors, I knew that if I could just get the book into the hands of read­ers…well, I knew you would love it. At the time, how­ev­er, the book and I first had to run the gaunt­let of main­stream pub­lish­ing.

Indy out­run­ning the giant boul­der in “Raiders of the Lost Ark.”

Look­ing back on the expe­ri­ence, it was like that scene at the open­ing of Raiders of the Lost Ark, when Indi­ana Jones is run­ning out of the cave, clutch­ing the gold­en idol like a foot­ball as the cave col­laps­es around him. Except in my ver­sion, the cave was main­stream pub­lish­ing, the gold­en idol was my man­u­script, and the light at the cave entrance was pub­li­ca­tion (prefer­ably in hard­cov­er).

In the movie, Indy out­runs the giant boul­der and makes it to the light.

In my sto­ry, the cave col­lapsed around me.

But I sur­vived. I sur­vived and crawled out of the rub­ble with my book intact. After a suit­able recov­ery peri­od, I looked around for a more direct route to read­ers, which I found in KDP (Kin­dle Direct Pub­lish­ing).

Bar­bara Stan­wyck and Fred Mac­Mur­ray in the film mas­ter­piece “Dou­ble Indem­ni­ty.”

The great Bil­ly Wilder, screen­writer of two of my favorite films, Sun­set Boule­vard and Dou­ble Indem­ni­ty (co-writ­ten with Ray­mond Chan­dler), had great faith in an audi­ence. Remark­ing on the wis­dom of movie the­ater audi­ences, he once said, “An audi­ence is nev­er wrong. An indi­vid­ual mem­ber of it may be an imbe­cile, but a thou­sand imbe­ciles togeth­er in the dark— that is crit­i­cal genius.”

Although my audi­ence for the nov­el has yet to reach a thou­sand, I’m grat­i­fied that so far they’ve been in agree­ment about the nov­el­’s virtues. Fol­low­ing are snip­pets from their Ama­zon reviews, as well as some of their com­ments on Face­book and Twit­ter:

“I read A Real Piece of Work in three days. I could not put it down. Did­n’t get much sleep for a cou­ple of nights, but it was well worth it.”

“I can’t believe how addict­ing this book was.”

Orcut­t’s mas­ter­ful addi­tion of wit and humor makes A Real Piece of Work that much more irre­sistible for those who haven’t his­tor­i­cal­ly flocked to the mys­tery genre. Dako­ta Stevens and his indis­pens­able sidekick/chess cham­pi­on Svet­lana Krüsh are intox­i­cat­ing and a delight­ful mod­ern take on the noir detec­tive style.”

 “The author’s abil­i­ty to paint a pic­ture or scene with words is astound­ing.”

“The char­ac­ters came to life in 3D for me. I know Hol­ly­wood will come knock­ing on this door, and even though it is pre­ma­ture the movie could nev­er hold a can­dle to this book!”

“From chap­ter one, you don’t want to put the book down.”

A Real Piece of Work is a prop­er, old-school P.I. nov­el. It’s fast-paced and excit­ing, with snap­py dia­logue, lik­able char­ac­ters, and a thrilling plot that kept me guess­ing right to the end.”

 “Look­ing for a good win­ter read? I’m proud to share the work of a great writer (and hap­py to say, a friend), Chris Orcutt.”

“I found myself amused and intrigued in every chap­ter. Orcutt can weave a sto­ry that keeps you hang­ing on until the very end. The action, ten­sion, and sus­pense make you feel the need to des­per­ate­ly turn the page.”

“Read this jour­ney. It’s a rare lit­er­ary mys­tery.”

“In the pres­ence of a shape­ly vix­en whose hair smells like mint, a guy can stand idly by in his shorts for only so long.” OMG @chrisorcutt

A Real Piece of Work claims to be the start of a series of books cen­tered around a detec­tive named Dako­ta Stevens, and I for one hope that the series goes on for­ev­er, for what we get in this first out­ing. Peo­ple in the reviews keep men­tion­ing Spenser/Robert B. Park­er, and they’re right; but add a good streak of John Le Car­ré, turn the roast­er up a notch, and maybe you’re get­ting in the ball­park.”

“I have enjoyed all of the Spenser nov­els, but Dako­ta Stevens and his sassy side­kick Svet­lana, are my new favorite detec­tives.”

“The writ­ing style is engag­ing and wit­ty, the plot twists reel you in from the first page, and the char­ac­ters came to life. I lit­er­al­ly could­n’t put this book down until I fin­ished it. I am now stalk­ing this author on Ama­zon, anx­ious­ly await­ing the release of his next book in the series.”

Hard at work on my beloved Her­mes 3000—arguably the best man­u­al type­writer ever made.

Of course I’m still wait­ing for the oth­er shoe to drop—the inex­plic­a­ble one-star review that claims my nov­el is the worst thing that review­er has ever read and that I should be sum­mar­i­ly exiled to Antarc­ti­ca for pub­lish­ing it

But in the mean­time, I’m going to bask in the wis­dom of the audi­ence.

Thank you again to all of you who pur­chased and reviewed the nov­el, and I invite any­one else read­ing this to pick up a copy—whether for your­self or as a gift for a mys­tery lover.

Thank you, too, for vin­di­cat­ing me, for prov­ing I was right.

I wrote the nov­el for you read­ers, not agents and edi­tors, so to receive your praise and the ulti­mate compliment—your time—makes what has been an ardu­ous jour­ney com­plete­ly worth it.

By Chris Orcutt

CHRIS ORCUTT is an American novelist and fiction writer with over 30 years' writing experience and more than a dozen books in his oeuvre. Since 2015, Chris been working exclusively on his magnum opus. Bodaciously True & Totally Awesome: The Legendary Adventures of Avery “Ace” Craig is a 9-episode novel about teens in the 1980s. It’s about ’80s teens, but for adults (in other words, it’s decidedly not YA literature), and he’s applied this epic storytelling approach to the least examined, most misunderstood, most marginalized narrative space in American literature: the lives and inner worlds of teenagers.

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