Preparing for Success

On a snowy day in Jan­u­ary, I wan­dered into a Bor­ders book­store and did some­thing I always do when I’m seek­ing answers—I let syn­chronic­i­ty guide me to the right book. I found it, or rather it found me, and its mes­sage was exact­ly what I need­ed to hear at that time.

The book is Do Less, Achieve More by Chin-Ning Chu, and since then I’ve read it five or six times (it’s a fast read). Her mes­sage is that if you fight Life, con­stant­ly push­ing and press­ing for the things you want, you’ll have a much hard­er time achiev­ing suc­cess than if you let go (sur­ren­der to forces greater than you) and allow your des­tiny to unfold nat­u­ral­ly.

For those of you acquaint­ed with works of East­ern phi­los­o­phy like the Tao Te Ching, this idea of “going with the flow” is noth­ing new. How­ev­er, Chu’s book has a num­ber of unique ideas and anec­dotes, and one of my favorites involves one of the few celebri­ties I would love to meet: Clint East­wood.

In her book, Chu describes the idea of “prepar­ing for suc­cess,” and the great Clint East­wood fig­ures promi­nent­ly in the anec­dote. Rather than para­phras­ing, I’m sim­ply going to give you the entire page where she dis­cuss­es this con­cept. Here it is:

 

Before the Angel of Suc­cess arrives in your life, you should devote your­self to prepar­ing your wel­come for her. Pol­ish your craft and strength­en your body to be fit so that you can do your job and enjoy suc­cess when it comes. Sharp­en your mind and spir­it so they are ready to face the chal­lenges that accom­pa­ny a vis­i­ta­tion from the Angel of Suc­cess.

If you are not ready when the angel knocks, she will flee. And who knows when she will make it back around to your door again? One night in the 1960s, Clint East­wood and Burt Reynolds were din­ing togeth­er. Clint has already become a famous movie star, but Burt was still strug­gling, try­ing to get bit parts. Burt asked Clint what he had done before he got his big break. Clint answered that he had sim­ply “pre­pared myself for suc­cess.”

Those unadorned words, prepar­ing for suc­cess, were the advice that was worth ten thou­sand ounces of gold to Burt Reynolds. He heard the words, under­stood the pro­found prin­ci­ple that they held, and went on to star­dom.

 

Since I read that, over six months ago, I’ve been work­ing dili­gent­ly behind the scenes to pre­pare myself for suc­cess. I’ve beefed up this web­site. I’ve tak­en up golf. I’ve changed my diet and lost almost 20 pounds. I’ve start­ed lift­ing weights again. I’ve bought myself a cou­ple of tai­lored suits, includ­ing a fab­u­lous Hick­ey Free­man num­ber. I’ve orga­nized my writ­ing and my office (well, Alexas did). I’ve got­ten my com­put­ers and type­writ­ers in good work­ing order. I’ve got­ten an agent, who is get­ting my book read. I’ve been build­ing a fan base. I’ve had a pro­fes­sion­al take author pho­tos of me. And I’ve said yes to lucra­tive writ­ing assign­ments, even though they aren’t direct­ly rel­e­vant to my ide­al career path as a nov­el­ist and screen­writer.

 

“I don’t believe in pes­simism. If some­thing does­n’t come up the way you want, forge ahead. If you think it’s going to rain, it will.” — Clint East­wood

 

The one thing I haven’t done much of over the past six months is the very thing I should be doing with every breath in my body and that’s writ­ing. Blog entries and jour­nal­ing and emails and cor­po­rate writ­ing notwith­stand­ing, I’ve done next to noth­ing in the cre­ative are­na. Up to now, that is.

Inspi­ra­tion has struck, and I’m pre­pared for suc­cess, so now I have no excuse for not writ­ing.

By Chris Orcutt

CHRIS ORCUTT is an American novelist and fiction writer with over 30 years' writing experience and more than a dozen books in his oeuvre. Since 2015, Chris been working exclusively on his magnum opus. Bodaciously True & Totally Awesome: The Legendary Adventures of Avery “Ace” Craig is a 9-episode novel about teens in the 1980s. It’s about ’80s teens, but for adults (in other words, it’s decidedly not YA literature), and he’s applied this epic storytelling approach to the least examined, most misunderstood, most marginalized narrative space in American literature: the lives and inner worlds of teenagers.

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