The Hat

Dur­ing the COVID-19 cri­sis, in addi­tion to writ­ing and revis­ing my mag­num opus, I’ve been doing a lot of hik­ing and moun­tain climb­ing. The oth­er day, as I was leav­ing the house to hike a por­tion of the Appalachi­an Trail, I reached for my trusty hat.

I wore the hat while climb­ing Mount Wash­ing­ton and oth­er moun­tains in my late teens and ear­ly 20s. I wore it cav­ing a cou­ple of times. I wore it dur­ing an epic 80s overnight road trip from New York to Chica­go. I wore it hik­ing through Glac­i­er Nation­al Park and Yel­low­stone. I wore it while fly fish­ing in New York, Ver­mont, Mon­tana, Wyoming and Ida­ho. I wore it in the Grand Canyon, Zion Nation­al Park, and Bryce Canyon. I wore it in the Adiron­dacks, the White Moun­tains, the Green Moun­tains, and the woods of Maine. I wore it while boat­ing on Great Sacan­da­ga Lake and in the Penob­scot Bay of Maine.

I’ve had a lot of adven­tures with this hat, and it just occurred to me that it’s over 30 years old. I got the thing when I was 17 or 18. Here are a few pho­tos from some recent adven­tures with the hat:
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Chris Orcutt hik­ing in Lake Min­newas­ka State Park, NY, fall 2018.

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Kaater­skill Falls, Catskill Moun­tains, NY. 2018 or 2019.

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A bluff over Cano­pus Lake, Fahne­stock State Park, Appalachi­an Trail, Feb. 2020.

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Black bear tracks near Iron Mine Pond, Tacon­ic State Park, March 2020.

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Cook­ing some Beyond Meat Ital­ian sausage over a ‘lil “Indi­an” fire in Wilcox Park, Pine Plains, NY.

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The NY-MA-CT Tri-State mon­u­ment, Tacon­ic State Park, April 2020.

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The bluff above Cano­pus Lake again, but a bet­ter pic­ture because I’m in it. :)

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Some­where in the Green Moun­tains, 2019.

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By Chris Orcutt

CHRIS ORCUTT is an American novelist and fiction writer with over 30 years' writing experience and more than a dozen books in his oeuvre. Since 2015, Chris been working exclusively on his magnum opus. Bodaciously True & Totally Awesome: The Legendary Adventures of Avery “Ace” Craig is a 9-episode novel about teens in the 1980s. It’s about ’80s teens, but for adults (in other words, it’s decidedly not YA literature), and he’s applied this epic storytelling approach to the least examined, most misunderstood, most marginalized narrative space in American literature: the lives and inner worlds of teenagers.

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