The Indie Author’s Guide to the Universe: An Interview with Jeff Bennington

Greet­ings, read­ers. Today, for the first time in the his­to­ry of my blog, I’m mak­ing some­body else the focus. Today I’m going back to my roots as a news­pa­per reporter and inter­view­ing Jeff Ben­ning­ton, cre­ator of The Kin­dle Book Review and author of a new book about the indie pub­lish­ing phe­nom­e­non, The Indie Author’s Guide to the Uni­verse.

Ever since I inde­pen­dent­ly pub­lished      A Real Piece of Work late last year, I’ve been struck by how col­le­gial and sup­port­ive the indie author/publisher com­mu­ni­ty is. For exam­ple, out of hun­dreds of poten­tial reviews to run on The Kin­dle Book Review, Jeff chose one about my nov­el. Grate­ful for his gen­eros­i­ty, I want­ed to pay him back some­how, and so I’m run­ning this inter­view.

The indie author/publisher world is a fas­ci­nat­ing one, and as one of the world’s movers and shak­ers, Jeff is well qual­i­fied to talk about its cur­rent state, as well as its promis­ing future. So, with­out fur­ther ado, here’s my inter­view with Jeff:

 

What inspired you to write THE INDIE AUTHOR’S GUIDE TO THE UNIVERSE?
The inspi­ra­tion to write TIAGt­tU came from my desire to learn from my past mis­takes and share those lessons with oth­er authors. I blogged about the lessons learned for near­ly a year. I was actu­al­ly sur­prised how thank­ful my read­ers were. I thought I was just being trans­par­ent, when in fact, I was offer­ing use­ful infor­ma­tion that writ­ers were in des­per­ate need of. The longer I immersed myself into the world of pub­lish­ing, the more I watched oth­er authors repeat the same mis­takes over and over.

 

You’re the founder of The Kin­dle Book Review. Where did the idea for that very pop­u­lar web­site come from?

Jeff Ben­ning­ton

The Kin­dle Book Review was actu­al­ly cre­at­ed as part of my “author plat­form.” I also want­ed to help pro­mote oth­er authors in my genre via cross-pro­mo­tion. What I didn’t know is, the blog would trans­form my plat­form in ways I nev­er imag­ined. So what start­ed as just anoth­er blog, turned into a review site, and then into a pro­mo­tion­al tool on a larg­er scale. Every day the num­ber of vis­i­tors increased. One day we had 400, and then 450 the next and then 500 and then 525 and then 600. It’s just amaz­ing how fast it’s grow­ing. We now have about 20 review­ers and sev­er­al pro­mo­tion­al venues for any bud­get, includ­ing a “Media Buzz” pro­mo­tion that is work­ing great. We’ve teamed up with WorldLiteraryCafe.com and DigitalBookToday.com to make this pro­mo­tion extra effec­tive.

 

What is the dif­fer­ence, as you see it, between self-pub­lished and indie-pub­lished? What are the advan­tages of being an inde­pen­dent pub­lish­er?
Good ques­tion. I address this in the book because I don’t think there is clear def­i­n­i­tion. Here’s what I say in the book:

I’ve been down the roads of self-pub­lish­ing and what I call indie pub­lish­ing. An indie author, in my opin­ion, is in com­plete con­trol of their pub­lish­ing project, includ­ing cov­er design, pric­ing, edit­ing, for­mat­ting, and own­er­ship of the ISBN. As an indie author, you report to no one but your read­ers.

A self-pub­lish­er, as I see it, is one who con­tracts a pay-to-pub­lish busi­ness such as Tate Pub­lish­ing, Out­skirts Press, Author House or any oth­er ser­vice that charges to pub­lish an author’s book. I include 50/50 pub­lish­ers as well because they require the author to pay a por­tion of the pro­duc­tion expens­es. Sad­ly, after all the hype, the pub­lish­er usu­al­ly owns the ISBN, ulti­mate­ly con­trols the price, and charges ridicu­lous fees for the sim­plest of tasks. In this case, you are self-pub­lished, but you are not actu­al­ly the pub­lish­er.

 

What is the most com­mon mis­take made by indie pub­lish­ers and how can they rec­ti­fy it?
I don’t know if I can pin­point one com­mon mis­take. But I think the most dam­ag­ing mis­take indie authors make is by refus­ing to pay for pro­fes­sion­al edit­ing. What I’ve seen is a men­tal­i­ty that says, “If I sell some books, I’ll afford to pay for an edi­tor, book cov­er design, and prop­er for­mat­ting.”

Unfor­tu­nate­ly, the oppo­site is true. If you invest in those ele­ments before pub­lish­ing, you’ll have a bet­ter chance of sell­ing, and a bet­ter chance of NOT killing your rep­u­ta­tion as an author.

I have a check­list I refer to when an author asks me for help. It’s quite sim­ple:

  • Book Cov­er, Book Blurb, Price, Writ­ing Qual­i­ty, Reviews, Mar­ket­ing

If a book is not sell­ing, I begin ana­lyz­ing each one of these ele­ments to dis­cov­er which is bro­ken. I often find that a book is not sell­ing for obvi­ous rea­sons, such as poor cov­er design, no mar­ket­ing, inflat­ed price, poor edit­ing, etc. If you do not know how to fix these key ele­ments, you will have to pay an expert. Although I do not have an exhaus­tive list of resources, I do list the pro­fes­sion­als I use.

 

THE INDIE AUTHOR’S GUIDE is loaded with advice on mar­ket­ing, pric­ing, cod­ing and a lot more, but what aspects of the book are you most proud of?
The part of the book that I’m most proud of is that I think I paint a very real­is­tic pic­ture of what it means to be an indie author and what your life will become when you are your own pub­lish­er. I’m very hon­est. I give no promis­es of sell­ing a mil­lion copies in a year. Like my blog, The Writ­ing Bomb, I moti­vate authors who are dis­cour­aged, and encour­age those who are con­sid­er­ing going indie with­out giv­ing them a false impres­sion that they will grow rich and sell mil­lions. Most will not.

I am also proud of the fact that not only have I had suc­cess with some of the strate­gies I teach, but I have been work­ing with oth­er authors who are see­ing an increase in their sales.

 

How is THE INDIE AUTHOR’S GUIDE dif­fer­ent than oth­er books on the indie pub­lish­ing phe­nom­e­non, books like David Gaugh­ran’s LET’S GET DIGITAL?
I’ve nev­er read that book, but I looked it up and was sur­prised at how sim­i­lar they are. The biggest dif­fer­ence is that Let’s Get Dig­i­tal was pub­lished six months ago and a lot has changed since then, specif­i­cal­ly Amazon’s KDP Select pro­gram. I address KDP Select in detail and offer mar­ket­ing and pro­mo­tion­al strate­gies that can ben­e­fit authors who are enrolled in that pro­gram.

I also checked out David’s list of books and see that he has one that is cur­rent­ly ranked at 60K+ and one that is ranked at 100K+ in the Ama­zon paid store. Reunion, my super­nat­ur­al thriller is a legit­i­mate #1 Ama­zon cat­e­go­ry best­seller and hit #55 in Amazon’s Top 100 paid store. All of my books, with the excep­tion of my short sto­ries, now incor­po­rat­ed into Creepy, have been con­sis­tent­ly ranked in the 2,000 to 25,000 range for sev­er­al months and I haven’t seen six dig­its in over a year.

While search­ing for David’s book, I noticed that there are oth­er relat­ed titles that were pub­lished in 2010. Those bor­der on ancient his­to­ry.

 

Ebooks have been under fire since their incep­tion, with crit­ics declar­ing them poor­ly writ­ten and edit­ed. The stan­dard argu­ment is that they are of infe­ri­or qual­i­ty com­pared to print books from main­stream pub­lish­ers. Recent­ly notable authors like Jonathan Franzen have joined the fray, adding to the crit­i­cism of ebooks. As a pro­mot­er of indie authors and one of the van­guards of inde­pen­dent pub­lish­ing, how do you respond?
There is def­i­nite­ly some truth to the naysayer’s argu­ments. But what they don’t real­ize is, indie authors are sell­ing A WHOLE BUNCH of books and read­ers are grate­ful for the vari­ety and gen­er­al qual­i­ty. Is it like­ly that there are a greater per­cent­age of lemons com­ing from the indie camp? Sure. But I believe crit­ics of indie pub­lished books are speak­ing out of igno­rance and fear, and their thoughts will have zero impact on our con­tin­ued suc­cess. Your book, A Real Piece of Work, is a per­fect case in point. You have 68 reviews and a 4.9‑star rat­ing.

 

Is epub­lish­ing a fad that will go away even­tu­al­ly, or is it here to stay? Please explain.
Easy. With the excep­tion of a cat­a­clysmic dis­as­ter, a for­eign inva­sion, or a world-wide col­lapse of the Inter­net, epub­lish­ing is here to stay. Ebooks are an “inven­to­ry free” prod­uct, prof­itable and eco­nom­i­cal for all par­ties con­cerned. The more mon­ey eRead­ers like the Kin­dle gen­er­ate, the more mon­ey their cre­ators will invest in the prod­ucts and tech­nolo­gies that they use. There’s a lot of mon­ey rid­ing on these dig­i­tal devices, and authors are the ones who cre­ate the con­tent, and con­tent is King.

 

In the intro­duc­tion to THE INDIE AUTHOR’S GUIDE TO THE UNIVERSE, you men­tion that the bulk of the book includes morsels of encour­ag­ing and moti­vat­ing mate­r­i­al for writ­ers. How about giv­ing read­ers a sam­ple right now?
Sure. Here’s a direct excerpt tak­en from Sec­tion One:

When Dreams Are Lost

“The best part of my indie jour­ney has been the man­i­fes­ta­tion of ideals I believe in but which the uni­verse seemed reluc­tant to val­i­date until now.”

—Scott Nichol­son, author of The Indie Jour­ney: Secrets to Writ­ing Suc­cess

The grill bil­lowed with smoke. Your stom­ach growled. Chil­dren frol­icked in the yard, and your mouth watered as you savored the fla­vors of life. You could prac­ti­cal­ly taste the hot­dog and ketchup in your mouth. Your mom slipped you some chips and soda, and you were in heav­en.

As usu­al, you played until the street­lights came on, and when you lay in your bed at the end of the day you dreamed of who you’d become.

You were young. You were fresh. You were exact­ly who you were sup­posed to be, and your dreams were big­ger than life.

If you were like me, you want­ed to be a stunt man and jump the Snake Riv­er like Evel Kniev­el, soar­ing by the pow­er of your will. Or maybe you want­ed to be a dancer, a drum­mer, or a writer.

Then life hap­pened.

You had chil­dren. You went to col­lege. You start­ed a career, work­ing long hours, hop­ing to get ahead while you paid your bills. Some­times, you thought about your secret dreams when no one was look­ing. Of course they were there, hid­ing, wait­ing, still elec­tri­fied with that youth­ful ener­gy you once had. But you pushed them aside.

You gave your time to your chil­dren. You gave your time to your wife or hus­band. You gave your time to remod­el­ing the house. It all drained the life out of you, but you wouldn’t change a thing. Your fam­i­ly has made you who you are, lov­ing you through the highs and lows of life. Or, maybe not.

And yet through it all, your dreams are still call­ing. Thoughts of soar­ing over the Snake Riv­er and writ­ing your mag­num opus have remained at your side, whis­per­ing to you, hop­ing that you’d drag them from your mem­o­ries and real­ize them for what they are: your buck­et list, your des­tiny.

Let me ask you a ques­tion: Do you hear your dreams call­ing, or are you block­ing out the noise with the busy­ness of life?

I hope you’re lis­ten­ing, because your aspi­ra­tions will nev­er stop call­ing you. They’re a part of the child that exists with­in. Your dreams are who you’re meant to be. And if you dream of writ­ing, there’s no rea­son why it shouldn’t, at the very least, be your hob­by.

Lis­ten for just a moment, and remem­ber who you are. Remem­ber your call­ing. If you’re a writer at heart, there is no bet­ter time to redis­cov­er your­self and pub­lish your work. Life is too short for what-ifs.

Write. Pub­lish. Live out your dreams.

 

Where is THE INDIE AUTHOR’S GUIDE TO THE UNIVERSE avail­able, in what forms, and how much is it?
The Indie Author’s Guide to the Uni­verse is avail­able on Ama­zon and Barnes and Noble. The ebook sells for $3.99 and the print ver­sion sells for $8.99.

 

Is there any­thing else you’d like to add about your book or the world of inde­pen­dent pub­lish­ing in gen­er­al?
Why yes! Let’s wrap up this inter­view with my clos­ing remarks in the book…

Amaz­ing, isn’t it, this writ­ing thing? The world has walked right up to us and crouched down with their ears pressed tight to our brains, lis­ten­ing to our ideas and to our hearts. Kin­dles and Nooks and iPads have changed every­thing for the writer, giv­ing us an oppor­tu­ni­ty that has nev­er been pos­si­ble. We can write and pub­lish with lit­tle to no restric­tions, an unequiv­o­cal tick­et to free­dom.

We have been giv­en a gift.

Yet noth­ing is guar­an­teed in this life. Every­thing can change with­out warn­ing.

Now is the time for you to whis­per in the reader’s ear. Now is your oppor­tu­ni­ty to share your sto­ry, your words, and your song with the read­ers of the world. Write it down. Get it pro­fes­sion­al­ly edit­ed. Do it right. And send your words through Amazon’s Whis­per­net with my love.

Thanks for hav­ing me, Chris. I sin­cere­ly appre­ci­ate the oppor­tu­ni­ty to share my book with your read­ers, and for your insight­ful ques­tions. And by the way con­grat­u­la­tions on the suc­cess of your book, A Real Piece of Work. Six­ty-eight reviews with a 4.9‑star rat­ing is absolute­ly amaz­ing. You deserve to be a num­ber one best­seller, and I think you’ll get there.

 

By Chris Orcutt

CHRIS ORCUTT is an American novelist and fiction writer with over 30 years' writing experience and more than a dozen books in his oeuvre. Since 2015, Chris been working exclusively on his magnum opus. Bodaciously True & Totally Awesome: The Legendary Adventures of Avery “Ace” Craig is a 9-episode novel about teens in the 1980s. It’s about ’80s teens, but for adults (in other words, it’s decidedly not YA literature), and he’s applied this epic storytelling approach to the least examined, most misunderstood, most marginalized narrative space in American literature: the lives and inner worlds of teenagers.

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