Print book cover for THE RONALD AND OTHER PLAYS.

The Ronald And Other Plays: A Political Satire of How Trump Won the Presidency

The Ronald And Other Plays ebook coverToday I’m pleased to announce the release of The Ronald And Oth­er Plays, a col­lec­tion that includes five short plays and my first full-length play, The Ronald.

The col­lec­tion is avail­able now as a Kin­dle ebook, and will be pub­lished as a print paper­back with­in a week or two.

*

Sum­ma­ry of The Ronald

“Fab­u­lous­ly Cau­casian” bil­lion­aire The Ronald decides to run for Pres­i­dent of the Incor­po­rat­ed States of Free­dom­land. Aid­ing him in his quest are his sexy genius daugh­ter, his accoun­tant, a con­ser­v­a­tive pro­fes­sor, a Broad­way pro­duc­er, his idiot sons, a TV enter­tain­ment reporter, a piz­za deliv­ery­boy, and the Cork Brothers—a pair of 1,000-year-old vam­pires.

The play presents a behind-the-scenes look at a cal­cu­lat­ing nar­cis­sist’s Pres­i­den­tial cam­paign, from his deci­sion to run, to the months lead­ing up to the elec­tion, to the day before he takes office.

*

The Sto­ry Behind The Ronald

From the Pref­ace:

As for what inspired The Ronald, that is a sto­ry all its own.

One morn­ing short­ly after the 2016 U.S. Pres­i­den­tial Elec­tion, I awoke with a vision of how Don­ald Trump had won the Pres­i­den­cy. His strat­e­gy, his tac­tics, how he per­suad­ed the elec­torate, how he gamed the media—it had all come to me in a dream. It was a mirac­u­lous moment of Gestalt.

Con­trary to what many read­ers might think, these moments of divine inspi­ra­tion are extreme­ly rare for us writ­ers. So, when a book (or in this case, my first full-length play) comes to us ful­ly formed, we have to drop every­thing and write down the sto­ry unfold­ing with­in us. In my case, I’ve had short sto­ries, arti­cles and poems come to me overnight, which I wrote down in the course of a few hours, and which required very lit­tle edit­ing after­wards; but I’ve nev­er had a long work sim­ply giv­en to me the way The Ronald was. I did­n’t write it so much as it wrote itself through me; I sensed this sto­ry float­ing in the col­lec­tive uncon­scious, and it chose me to draw it out of the ether and bring it to fruition.

Two weeks lat­er, the first draft of The Ronald was fin­ished. I put the play in a draw­er and returned to my nov­el-in-progress. When I took The Ronald out again a month lat­er to reread it, I found it need­ed very lit­tle revi­sion. The com­plet­ed play appears here almost ver­ba­tim to the ver­sion that emerged from me dur­ing those two weeks of intense writ­ing in Novem­ber 2016.

*

Print book cover for THE RONALD AND OTHER PLAYS.

Print book cov­er for THE RONALD AND OTHER PLAYS.

*

A Short Scene from The Ronald

In the fol­low­ing scene, The Ronald is dis­cussing his idea of run­ning for Pres­i­dent of the Incor­po­rat­ed States of Free­dom­land with his long­time trust­ed advi­sor, Har­vey:

Har­vey. Wait a sec­ond. Are you say­ing The Ronald is going to run for Pres­i­dent? I hate to break it to you, T.R., but…you don’t have any polit­i­cal expe­ri­ence. I mean none. Not even a school board.

The Ronald. That doesn’t mat­ter, Harv. In fact, right now my lack of polit­i­cal expe­ri­ence is a major asset. Peo­ple are tired of the grid­lock, tired of feed­ing and fly­ing around those soft do-noth­ings, those losers. All of those Repub­li­tar­i­an clowns, Harv. They’re all losers. I mean look at that fat fudge­ball from…what state is he from?  Oh, to hell with it, doesn’t mat­ter. Point is, he’s a fat los­er. Looks like the before pic­ture in a weight loss com­mer­cial. Hold on, I want to get Augusti­na up here.

[The Ronald walks over to the gold tele­phone on the desk and dials a num­ber. The Shoeshine Man scrab­bles after him.]

The Ronald [speak­ing into phone]. Get up here, Princess. And bring those new blue­prints. [He hangs up and returns to the putting green.] They’re all losers, Harv. They can’t win. But I can. Know why, Harv?

Har­vey. Because you’re a win­ner?

The Ronald. Exact­ly. I’m a win­ner, I know how to win. And do you know how you win, Harv?

Har­vey. No, T.R. How?

The Ronald. You lie. You lie and you keep lying, and when some­body says you’re lying, you turn it around and say they’re lying, that they’re part of a con­spir­a­cy by the media. It’s like Adolf said, “It is not truth that mat­ters, but vic­to­ry.” Win­ning. The only thing that mat­ters is win­ning. There’ll be plen­ty of time for the truth once we win. But we have to win first. And to do that, we need a Big Lie, some­thing—

Har­vey. Hold it, T.R. Remem­ber that arti­cle about you that came out a while back?

The Ronald. There have been so many, Harv. Which one?

Har­vey. The inter­view with your fifth wife, who said you kept Hitler’s Mein Kampf and a book of his speech­es by your bed?

The Ronald. Yeah, what about it?

Har­vey. You said you didn’t have those books.

The Ronald. Nooo, Harv. What I said was, quote, “If I had those books, and I’m not say­ing that I do, I would nev­er read them.” Unquote.

Har­vey. But…clearly you have read them, T.R.

The Ronald. No, I haven’t, Harv. When you came up here ear­li­er, did you pass a man get­ting off the ele­va­tor?

Har­vey. I did. Who is he?

The Ronald. An Ivy League pro­fes­sor. Great guy. Hired him thir­ty years ago, when he was just a strug­gling grad stu­dent, hired him to be my per­son­al read­er. For thir­ty years he’s been com­ing in once a month. He talks to me for an hour and gives me sum­maries of great books. Look, he gave me this…

*

Sum­maries of the Oth­er Plays in the Col­lec­tion

There are five oth­er, short­er plays in the col­lec­tion, all of which, except The Clean-Shaven Sec­re­tary with the Pis­tol, have been per­formed for the­ater-going audi­ences:

The Clean-Shaven Sec­re­tary with the Pis­tol: What hap­pens when a the­atre com­pa­ny attempts to stage a short peri­od dra­ma, and the pro­duc­ers decide, with­out warn­ing, to insert a com­mer­cial break?

Dark and Stormy Night: An autumn night, a des­o­late din­er, and a lone­ly, beau­ti­ful wait­ress. Enter a man dressed like an L.L. Bean mod­el and car­ry­ing a split­ting maul. Is he a mur­der­er or her roman­tic sal­va­tion?

Front Page Above the Fold: At a local city dai­ly news­pa­per, com­pe­ti­tion between reporters for the front page sto­ry is fierce. So fierce, it’s per­son­al.

Micro­brew: Two 20-some­thing slack­ers live above grand­ma June, but they aren’t get­ting any­thing past her. What she isn’t pre­pared for, how­ev­er, is her grand­son’s bewitch­ing home­made beer.

Kansas City This is For­mer Air Force One: August 9, 1974–the day Pres­i­dent Richard Nixon resigned his office. Oh, to be a fly on the wall dur­ing his flight home! But wait…in this play, you are.

*

Roy­al­ty-Free Per­for­mance Rights for Ama­teur The­atre Com­pa­nies

All of the plays in this col­lec­tion, includ­ing the polit­i­cal satire The Ronald, may be per­formed roy­al­ty-free by ama­teur the­atre com­pa­nies (high schools, col­leges and com­mu­ni­ty the­atre groups).

By mak­ing all of the plays in this col­lec­tion avail­able roy­al­ty-free, I’m hop­ing to have them reach as wide an audi­ence as pos­si­ble. A por­tion of the pro­ceeds from the sale of this ebook or print­ed book will be donat­ed to char­i­ties.

By Chris Orcutt

CHRIS ORCUTT is an American novelist and fiction writer with over 30 years' writing experience and more than a dozen books in his oeuvre. Since 2015, Chris been working exclusively on his magnum opus. Bodaciously True & Totally Awesome: The Legendary Adventures of Avery “Ace” Craig is a 9-episode novel about teens in the 1980s. It’s about ’80s teens, but for adults (in other words, it’s decidedly not YA literature), and he’s applied this epic storytelling approach to the least examined, most misunderstood, most marginalized narrative space in American literature: the lives and inner worlds of teenagers.

Comments (0)

Comments are closed.