Why This 2016 Writer is Going to the Woods

When Hen­ry David Thore­au went to the woods by Walden Pond in Con­cord, Mass. in 1845, he had his own, some­what con­vo­lut­ed, rea­sons for doing so:

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“I went to the woods because I wished to live delib­er­ate­ly, to front only the essen­tial facts of life, and see if I could not learn what it had to teach, and not, when I came to die, dis­cov­er that I had not lived.” — Hen­ry David Thore­au, Walden

One hun­dred sev­en­ty-one years lat­er, my rea­sons for going to the woods are much sim­pler and clear cut:

I need to fin­ish a book, and I need utter qui­et and soli­tude in order to do it. Blunt­ly put, I need to get the hell away from all of human­i­ty (to the extent that I can) for a month. I need to do this so I can see exact­ly how deeply I’m capa­ble of writ­ing when not sub­ject­ed to the noise and vicis­si­tudes of mod­ern life.

art-of-peace-01-web1I am halfway through my next book—a per­son­al and very dif­fi­cult to write memoir—and while the writ­ing has been going rel­a­tive­ly well, I need three weeks to a month of unin­ter­rupt­ed writ­ing time.

This, com­bined with a strict media diet (no com­mer­cial tele­vi­sion, lim­it­ed movies, lim­it­ed music, noth­ing but a few great books and nov­els: War and Peace; The Art of PeaceA Farewell to Arms; Loli­taFirst Love), and an intense (Navy SEAL intense enough for you?) diet and exer­cise reg­i­men, will enable me to fin­ish the book.

“Now and again, it is nec­es­sary to seclude your­self among deep moun­tains and hid­den val­leys to restore your link to the source of life.” — Mori­hei Ueshi­ba, The Art of Peace

My plan is to come down from the Ver­mont moun­tains in a month with the com­plet­ed first draft of a book, a tan­ner and buffer body, and a more peace­ful mind.

exterior-summer400Cir­cum­stances have aligned giv­ing me the abil­i­ty to do this. First, my best friend Jason Scott went to Japan, leav­ing me with his fine AWD auto­mo­bile for the next month. Then, my oth­er best friends Bri­an and Maia offered me the use of their vaca­tion house high in the Green Mountains—with no vis­i­tors what­so­ev­er.

I’m bring­ing the cur­rent man­u­script of the book, pen­cils, note­books, my Mac­book Air, my print­er, my favorite type­writer (a Roy­al Qui­et Deluxe), and a ream of paper, along with my cam­era and a video cam­era, because I plan on doc­u­ment­ing what it is to go into seclu­sion to write in 2016—to show myself writ­ing, tan­ning, work­ing out, cook­ing, read­ing, and in gen­er­al doing all of the things a writer does when in soli­tude fin­ish­ing a book.

I may or may not write about the expe­ri­ence when I return. Such an entry will prob­a­bly take the form of a com­plet­ed video about my sojourn.

typewriter-field1This is some­thing that I and just about all writ­ers fan­ta­size about doing: retreat­ing into the wilds to do noth­ing but write. My sense is that there are very few of us with the self-dis­ci­pline nec­es­sary to make the tenure a pro­duc­tive one. I’m con­fi­dent that I’m one of these writ­ers. We’ll see.

Unlike Thore­au, I have win­dow screens, few­er bugs, an auto­mo­bile, and a hot tub to make my sojourn slight­ly more com­fort­able.

I only hope the writ­ing goes well.

Wish me luck.

—Chris Orcutt

By Chris Orcutt

CHRIS ORCUTT is an American novelist and fiction writer with over 30 years' writing experience and more than a dozen books in his oeuvre. Since 2015, Chris been working exclusively on his magnum opus. Bodaciously True & Totally Awesome: The Legendary Adventures of Avery “Ace” Craig is a 9-episode novel about teens in the 1980s. It’s about ’80s teens, but for adults (in other words, it’s decidedly not YA literature), and he’s applied this epic storytelling approach to the least examined, most misunderstood, most marginalized narrative space in American literature: the lives and inner worlds of teenagers.

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